And we’re back! It’s been along layoff since James and I had a chance to sit down and record a new podcast, and thanks to the wonders of memory, in this episode you’ll hear exactly why this is so. We also talk briefly about the Oscars, more specifically on the In Memorium montage that honors those who have lost their life in the past year, and we note some of the most obvious snubs from this montage, including the man we devote this episode to, writer/director Dan O’Bannon.
O’Bannon isn’t a household name, but his contributions to the Alien franchise and zombie lore alone make him as influential as anyone you are likely to find working in genre films. But then, the Academy isn’t fond of genre films, so why should they be fond of Dan O’Bannon?
So in this episode James and I tackle five of his films as our own way of honoring a man who has made movie watching just so damn enjoyable for us over the years. You may not know who he is, but you’ll be hard pressed to avoid his influences in modern film. He was an incredible talent, and film making is a lesser medium with his loss, and a whole lot less fun. But hopefully you’ll take the time to try out some of his films and finally see just what you’ve been missing.
I’ve been on a bit of a Terrance Stamp kick as of late. I’ve been a fan of him for sometime, probably ever since his General Zod showed me the sublimely manicured face of evil all the way back in Superman II, but much of his early work I simply had never gotten around to watching. But after James and I took the time to watch The Mind of Mr Soames for one of our High and Low (Brow) podcasts (Episode 4 – Comas), I decided that perhaps it was finally time to devote some real effort into watching some of his earlier films, which brings me to The Collector, a film that only recently graced my radar after I found out that a very loose remake was being released in theatres last year.
Now, it isn’t often that you see films co-opted, manipulated and outright subjugated to the whims of modern remakes. Wait, let me rephrase that. Alright, so it is common. But in the case of The Collector it has been a very unique form of modern bastardization. You see the title was taken and the idea of collecting people was used (or mis-used as the case may be) and that was the end of it. Complex characters were abandoned for one dimensional stock. The creepy, slow burning plot was replaced with the now standard mess that highlights gore and ignores everything else. It is a thin thread that ties the modern “remake” to the original. Which, honestly, is a good thing.
And we’re back! James and I sit down as we attempt to maintain a robust and brisk pace of one episode of High and Low (Brow) each month. Rather than stick to the standard numbering of episodes numerically we’ve decided to go to a seasonal format to hopefully confuse everyone even further. Thankfully, that’s not the only possible change we might have in store for you.
In this episode James and I watch and review two films that are based on legends or fairy tales, those being the 1940 fantasy epic The Thief of Bagdad and the 1972 film The Pied Piper. The first is a multiple Academy Award winner while the second has people in funny hats. Well, more than just funny hats, but you really need to see those things to truly believe them.
Besides the main review we read some viewer mail, plug my recent appearance on the Movie Club Podcast and discuss the possibility of James and I devoting an upcoming podcast to a director who’s films that we both enjoy. Will it become a regular feature? Who knows but it certainly is being considered. Rounding out the show we have our selection process for the next episode and this marks a return to our standard format as I once again pick the theme and films for James to choose from.
If you have any recommendations for films we could watch for the podcast, or want to suggest a potential theme for us to use, feel free to email us and tell us your ideas. If you enjoy the show make sure to subscribe through iTunes or our RSS feed so you can catch every new episode. Also, please friend James on Facebook. Because it will frighten and confuse him.
One more thing, if you enjoy the show feel free to donate to it through PayPal in either a single installment or as a recurring donor. We’d love to upgrade some of our equipment and anything you donate will go directly towards us getting some decent mics and perhaps even pop screens that aren’t made out of cotton balls.
Make your way over to the site where you can listen to us discuss whether or not Griffin Dunne is an asshole or just a guy who wants to get home, as well as if the director’s cut of The Warrior’s ruins the film, or that Jay is an idiot for thinking a 1979 film should look like a 1950’s comic rather than a 1986 comic.
In an effort to help promote the group venture that is The Movie Club Podcast as well as keep all discussion on the films over on that site, I’ve locked comments on this post and ask you swing on bye The Movie Club Podcast and download a few episodes and hear what you’ve been missing. And make sure to vote in the poll for the next film to be featured on the podcast.
I’m not quite sure how I never stumbled upon this video critique of Star Wars: The Phantom Menace until a few weeks ago, but I can now definitively state that upon watching it my life is now complete. Unlike most I don’t actually hate The Phantom Menace, that I reserve for Attack of the Clones, yet I still count the film as one of the colossal disappointments of my movie viewing life. Its a deeply flawed film, constantly mired in pointless characters and ponderous dialogue as it drowns you in plot. But it does have Darth Maul, which almost makes up for it. Almost.
But now a video review has come along of such epic nature and scope that it almost makes The Phantom Menace better by association. Probably because the reviewer may or may not be Buffalo Bill. The serial killer, not the circus performer.
Don’t believe me? Then perhaps you should watch it and see for yourself? Warning, this video is awesome yet also NSFW!
And we’re back! It’s been along layoff since James and I had a chance to sit down and record a new podcast, and thanks to the wonders of memory, in this episode you’ll hear exactly why this is so. We also talk briefly about the Oscars, more specifically on the In Memorium montage that honors those who have lost their life in the past year, and we note some of the most obvious snubs from this montage, including the man we devote this episode to, writer/director Dan O’Bannon.
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