Seeing Cormac McCarthy’s The Road at the top of the list for Entertainment Weekly’s The New Classics: The 100 Best Reads from 1983 to 2008 fascinates me. The 2006 book deserves all of the praise and attention it’s received since publication. Even Oprah Winfrey got it right for once when she ordered her minions to read The Road for her book club.
The Road tells the story of a father and son as they wander through an ash covered, post-apocalyptic America. McCarthy’s 2005 book No Country for Old Men – known better as a Coen brothers movie than a McCarthy novel – reads in hindsight like an appetizer for The Road. In the former book, McCarthy slowly dissects the American Dream and reveals the unpleasant possibility that it’s coming to an end, whereas in the latter book, he destroys America and shows us the possibility of what comes next. And what does come next? Well, a lot of despair, darkness and pain. Make no mistake about it, The Road is bleak; which is just fine for McCarthy, a writer who is notorious for never quite giving readers what they expect and want. For instance, outside of a “long shear of light and then a series of low concussions”, it is not clear in the book what caused the devastation. But really, it isn’t important what really happened – this is a journey story, one of survival.
More importantly, The Road is part of an interesting 21st century trend towards end of the world stories. (more…)
Tags: 28 Days Later, American dream, Brian Keene, Cell, Charlie Adlard, Children of Men, Christian A. Dumais, City of the Dead, Coen Brothers, Cormac McCarthy, David Wellington, Dawn of the Dead, Doomsday, I am Legend, Jericho, Jim Crace, Land of the Dead, Le Temps du loup, Max Brooks, Monster Trilogy, No Country For Old Men, Oprah, Right at Your Door, Robert Kirkman, Stephen King, The Happening, The Pesthouse, The Rising, The Road, The Walking Dead, Too Soon, War of the Worlds, World War Z: An Oral History of the Zombie War
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