And we’re back! It’s been along layoff since James and I had a chance to sit down and record a new podcast, and thanks to the wonders of memory, in this episode you’ll hear exactly why this is so. We also talk briefly about the Oscars, more specifically on the In Memorium montage that honors those who have lost their life in the past year, and we note some of the most obvious snubs from this montage, including the man we devote this episode to, writer/director Dan O’Bannon.
O’Bannon isn’t a household name, but his contributions to the Alien franchise and zombie lore alone make him as influential as anyone you are likely to find working in genre films. But then, the Academy isn’t fond of genre films, so why should they be fond of Dan O’Bannon?
So in this episode James and I tackle five of his films as our own way of honoring a man who has made movie watching just so damn enjoyable for us over the years. You may not know who he is, but you’ll be hard pressed to avoid his influences in modern film. He was an incredible talent, and film making is a lesser medium with his loss, and a whole lot less fun. But hopefully you’ll take the time to try out some of his films and finally see just what you’ve been missing.
Recently I’ve been tossing around the idea of starting up a regular feature that would highlight some of the films that I’ve run across in my film watching career that I adore for no discernible explanation. That is, no explanation until now.
For now I will highlight the competently ridiculous, the oddly perverse and hopefully the drug-addled genius of some truly awful movies that hurt so good. For these movies truly represent the greatest moments in cinema history.
Our inaugural edition highlights one of the most bizarre and possibly frightening films you are bound to encounter. A film so vile, so lewd and so inspired that it could only come from a man who was destined to become one of the biggest director’s in Hollywood, that being Peter Jackson. This movie marks both his creative peak AND nadir, resulting in a movie that is bound to fell anyone without the strongest of stomachs, though a complete lack of morals can only improve your viewing experience.
For those unaware of Meet the Feebles, the plot is rather simple, a troupe of Muppets is trying to put together one big television broadcast special, in the hopes of landing a syndicated series. But as the big day approaches a series of disasters threaten to ruin everything they’ve worked so hard for. Of course that also leaves out the sex addicted rabbit dying from AIDS, the massive drug ring that the show’s producer runs in the theatre’s back alley, or nasal sex, which sounds almost as disgusting as it actually is.
But the highlight of the film is the pinnacle song and dance number as a homosexual fox sings about his love for, you guessed it, sodomy, all while a manic depressive hippopotamus attempts to murder every performer with a machine gun, thus marking this as one of the Greatest Moments in Cinema History with a bullet.
Just in time for the upcoming Oscars, shocking I know, several theatres here in the Twin Cities have decided to host some movie marathons of films nominated for this year’s Oscars, from Live Action and Animated short films, to Documentary to every Best Picture nominee, you can find them somewhere in the Cities this weekend and next.
Live Action and Animated Short Films The Lagoon Cinema
Animated – 2:50 & 7:15 (Daily)
Live Action – 5:10 & 9:30 (Daily)
Matinee $7 | General $9
Twin Cities Gold Film Festival Woodbury 10 Theatre
The Most Dangerous Man in America – Sat @ 7:00 (Twin Cities Premiere)
Food Inc – Fri @ 1:00 | Sat @ 5:00 | Sun @ 3:00
Burma VJ – Fri @ 3:00 & 9:00 | Sat @ 3:00 | Sun @ 1:00
Which Way Home – Fri @ 7:00 | Sat @ 9:00 | Sun @ 5:00 (Twin Cities Premiere)
The Cove – Fri @ 5:00 | Sat @ 1:00 | Sun @ 7:00
Tickets $6 | Festival Pass $25
Best Picture Marathon Day 1 (Feb 27th)
AMC Eden Prairie 18
10:30 – Avatar
1:45 – Up
3:45 – A Serious Man
6:30 – Precious
8:45 – District 9
AMC Arbor Lakes 16 & AMC Rosedale 14
10:30 – Avatar
1:45 – Up in the Air
4:00 – Precious
6:45 – The Blind Side
9:15 – Inglourious Basterds
Day 2 (March 6)
AMC Eden Prairie 18
10:30 – An Education
12:45 – The Hurt Locker
3:25 – Up in the Air
6:00 – The Blind Side
8:30 – Inglourious Basterds
AMC Arbor Lakes 16 & AMC Rosedale 14
10:30 – Up
12:45 – A Serious Man
2:45 – The Hurt Locker
6:00 – An Education
8:00 – District 9
I’ve made it relatively clear that I am a fan of genre films, up to and including exploitation films. I grew up on these movies and they have helped shape my future movie watching habits, so I have enjoyed quite a bit the recent bit of mainstream love for grindhouse films.
Now, coming on the heels of the outstanding Ozploitation documentary Not Quite Hollywood, comes a film devoted to the American exploitation films of the same time. Now the film does not look to have quite the same level of frenzied adoration as its Australian counterpart, but with its massive cast of interviewees it should prove to be a fascinating look at one of my favorite parts of cinema history.
Special thanks to The Documentary Blog for the heads up on this film.
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With The Crazies remake just around the corner, I figured it was finally time to watch this exploitation “classic” from George A Romero. While I’m not expecting much I figure it can’t be any worse then the last few Of The Dead films he’s put out.
And we’re back! It’s been along layoff since James and I had a chance to sit down and record a new podcast, and thanks to the wonders of memory, in this episode you’ll hear exactly why this is so. We also talk briefly about the Oscars, more specifically on the In Memorium montage that honors those who have lost their life in the past year, and we note some of the most obvious snubs from this montage, including the man we devote this episode to, writer/director Dan O’Bannon.
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