I’ve been on a bit of a Terrance Stamp kick as of late. I’ve been a fan of him for sometime, probably ever since his General Zod showed me the sublimely manicured face of evil all the way back in Superman II, but much of his early work I simply had never gotten around to watching. But after James and I took the time to watch The Mind of Mr Soames for one of our High and Low (Brow) podcasts (Episode 4 – Comas), I decided that perhaps it was finally time to devote some real effort into watching some of his earlier films, which brings me to The Collector, a film that only recently graced my radar after I found out that a very loose remake was being released in theatres last year.
Now, it isn’t often that you see films co-opted, manipulated and outright subjugated to the whims of modern remakes. Wait, let me rephrase that. Alright, so it is common. But in the case of The Collector it has been a very unique form of modern bastardization. You see the title was taken and the idea of collecting people was used (or mis-used as the case may be) and that was the end of it. Complex characters were abandoned for one dimensional stock. The creepy, slow burning plot was replaced with the now standard mess that highlights gore and ignores everything else. It is a thin thread that ties the modern “remake” to the original. Which, honestly, is a good thing.
And we’re back! James and I sit down as we attempt to maintain a robust and brisk pace of one episode of High and Low (Brow) each month. Rather than stick to the standard numbering of episodes numerically we’ve decided to go to a seasonal format to hopefully confuse everyone even further. Thankfully, that’s not the only possible change we might have in store for you.
In this episode James and I watch and review two films that are based on legends or fairy tales, those being the 1940 fantasy epic The Thief of Bagdad and the 1972 film The Pied Piper. The first is a multiple Academy Award winner while the second has people in funny hats. Well, more than just funny hats, but you really need to see those things to truly believe them.
Besides the main review we read some viewer mail, plug my recent appearance on the Movie Club Podcast and discuss the possibility of James and I devoting an upcoming podcast to a director who’s films that we both enjoy. Will it become a regular feature? Who knows but it certainly is being considered. Rounding out the show we have our selection process for the next episode and this marks a return to our standard format as I once again pick the theme and films for James to choose from.
If you have any recommendations for films we could watch for the podcast, or want to suggest a potential theme for us to use, feel free to email us and tell us your ideas. If you enjoy the show make sure to subscribe through iTunes or our RSS feed so you can catch every new episode. Also, please friend James on Facebook. Because it will frighten and confuse him.
One more thing, if you enjoy the show feel free to donate to it through PayPal in either a single installment or as a recurring donor. We’d love to upgrade some of our equipment and anything you donate will go directly towards us getting some decent mics and perhaps even pop screens that aren’t made out of cotton balls.
James and I sit down to record our final podcast of the year, this time covering the newest James Cameron phenomenon, Avatar. But not just that, we also cover our year end lists for High and Low (Brow) giving our top 5 favorites (Highs) and our 5 worst (Lows) that we watched this year. For those of you who haven’t had enough lists, James and I also give our top 5 moments for the year as well.
And as if that isn’t enough, somewhere around the one hour mark things get totally weird when we abandon any and all formats and free form for what seems like an hour, probably because it is. Is it a good idea? Not really, but at least you get to hear about how James wishes he was Mark Hamill. Hope you enjoy this oddly overlong edition. Feel free to email us with questions, comments and complaints about this episode, from the cold open to the year end format.
And we’re back! It’s been a few weeks since last James and I met to discuss movies, and after we raced through our last episode of High and Low (Brow) we decided to have a bit more leisurely pace during this one. This episode we our theme is Killer Kids, as we focus on two films that have sadistic, murderous children in them. Those films being The Offspring (also known as From a Whisper to a Scream), starring Vincent Price and the far better known David Cronenberg film The Brood, starring mutant babies and the women who produce them.
But besides spending far too much time discussing sociopathic children, we take some time out of the show to discuss The Road, a film we had both seen earlier yet had not had time to discuss. And of course we round out the episode with our selection show, for the second episode in a row we change things up as this time I’m the one who knows nothing about the theme for next show as James lays out his cunning plan as he wrestles control of the show away from me. Will we end up with good movies for next time? Will I ever let James have any say ever again? Does James secretly curse at me when the tape isn’t recording? Tune in to find out.
If you have any recommendations for films we could watch for the podcast, or want to suggest a potential theme for us to use, feel free to email us and tell us your ideas. If you enjoy the show make sure to subscribe through iTunes or our RSS feed so you can catch every new episode. Also, please friend James on Facebook. Because it will frighten and confuse him.
One more thing, if you enjoy the show feel free to donate to it through PayPal in either a single installment or as a recurring donor. We’d love to upgrade some of our equipment and anything you donate will go directly towards us getting some decent mics and perhaps even pop screens that aren’t made out of cotton balls.
As always, thanks for listening!
Opening Music – Lovin’ Things by The Grass Roots
Closing Music – Careful by Jeff Hanson
And we’re back! This time on High and Low (Brow) James and I are joined by a live studio audience named Kevin who was invited because he offered us pizza and bread sticks. Delicious bread sticks. Buttery foodstuffs aside, this episode’s theme is HP Lovecraft, an author both of us enjoy, but who’s works have struggled to gain mainstream acceptance and have had even worse results in finding capable, or even enjoyable, versions brought to the silver screen.
Rounding out the show we have our selection process for the next episode, and once again we provide a twist on it to help keep things fresh and exciting. If you have any recommendations for films we could watch for the podcast, or want to suggest a potential theme for us to use, feel free to email us and tell us your ideas. If you enjoy the show make sure to subscribe through iTunes or our RSS feed so you can catch every new episode. Also, please friend James on Facebook. Because it will frighten and confuse him.
One more thing, if you enjoy the show feel free to donate to it through PayPal in either a single installment or as a recurring donor. We’d love to upgrade some of our equipment and anything you donate will go directly towards us getting some decent mics and perhaps even pop screens that aren’t made out of cotton balls.
As always, thanks for listening!
Opening Music – Mother Made Me Do It by Mark Mallman
Closing Music – Okey Dokey by The Incredible Bongo Band
I’ve been on a bit of a Terrance Stamp kick as of late. I’ve been a fan of him for sometime, probably ever since his General Zod showed me the sublimely manicured face of evil all the way back in Superman II, but much of his early work I simply had never gotten around to watching. But after James and I took the time to watch The Mind of Mr Soames for one of our High and Low (Brow) podcasts (Episode 4 – Comas), I decided that perhaps it was finally time to devote some real effort into watching some of his earlier films, which brings me to The Collector, a film that only recently graced my radar after I found out that a very loose remake was being released in theatres last year.
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