Jeffrey Goodman’s 2008 film The Last Lullaby is a subtle and riveting tale of betrayal and revenge. Jack Price, a retired hitman, is drawn into a web of deceit when he stumbles upon a kidnap victim at a run-down house in the woods. As a consequence of his actions he appears on the radar of Martin Lennox — a brutal and aloof millionaire in a jam. Drawn out of retirement by Lennox, Price is put on the trail of the beautiful Sarah, but he soon finds there is more to his quarry than first meets the eye. Of course, things turn out to be not at all what they seem, and Price finds himself in hot water with a number of different players in this suspenseful drama.
The oft seen scenario of the helpless victim and duped would-be assassin is given a refreshing treatment in this lean production. Neither a thriller nor an action film, this one is best described as a grim and suspenseful character study that nonetheless features moments of action, mystery, and intrigue. Penned by Max Allan Collins — well-known mystery novelist, author of the graphic novel Road to Perdition, and former writer of the comic strip Dick Tracy — and Peter Biegen, The Last Lullaby will keep even the most jaded video viewer guessing until the end. It effects a mounting tension from its brutal beginning to its suprise conclusion, and even then leaves the viewer wondering what will come next.
Tom Sizemore portrays retired hitman Jack Price with a cold brilliance that assures this performance a place alongside his other celebrated performances. And Sasha Alexander, as the mysterious Sarah, proves that she doesn’t have to be playing a member of naval intelligence to turn in a convincing and effective performance. Bill Smitrovich and Jerry Hardin round out this cast of familiar faces, and Ray McKinnon’s performance (billed only as ‘Ominous Man’) is eerie and memorable. Especially observant reviewers will recognize him from another of his memorable performances in the Coen brother’s film O Brother, Where Art Thou?
The Last Lullaby is well worth your time, and fans of Road to Perdition will especially enjoy it. It was recognized at the Brooklyn International Film Festival and the Cedar Rapids Independent Film Festival, among others. You can visit the filmmaker’s blog to check out other reviews and read about the project. The DVD will be available for purchase through the film’s official website beginning October 19th, and you can save it for future addition to your Netflix queue now.
Perhaps you remember those ads a few months back about something called The Neverything. I know I sort of do. They featured a writer who was struggling to finish her book because she was convinced that one of her characters knew she was writing about them. But what I remember best about them is that these short films were also used as car commercials, which always made me a little upset that what otherwise looked like a promising film was really just a way of selling cars. That is until I found out that the short film that was turned into a car commercial had been turned into a feature length film.
Marian (Carrie Preston) is struggling to overcome writer’s block. So when she consults with her mentor Jackson (Austin Pendleton) on how to rectify this, he comes up with the suggestion that she should kill off one of her characters. And while Marian initially balks at such an idea, when she eventually acquiesces it sets off a chain of events that leave her struggling not only to finish her book, but on the brink of insanity.
Hopefully next weekend, James and I shall record Where the Long Tails Ends first podcast. Titled High and Low (Brow), it will focus on reviewing two films during each episode that either come from the same source material or uses similar themes, preferably on opposite ends of the artistic spectrum. Think Seven Samurai and Battle Beyond the Stars, or if you are lucky, A Bug’s Life and Three Amigos.
Though for our first episode we will go with something a bit simpler, with the double bill of the 1945 Agatha Christie iconic murder mystery And Then There Were None (based upon Christie’s novel Ten Little Indians) and Mario Bava’s giallo styled adaptation of the same source material, 5 Dolls for an August Moon. Hopefully it should make for some interesting conversation.
We aren’t sure how frequently we will be able to record, but hopefully we can do a few episodes each year. Feel free to leave any comments on the basic premise, tips, or even potential films you’d like us to consider watching. Thanks!
I’ve never really given much thought about what I would consider the perfect crime. I’m not exactly ambitious so it probably wouldn’t extend much further then trying to purchase comics for my collection without Anna’s knowledge. She watches the movies and the Wii games like a hawk after all, so if I want to buy something perfectly crappy without having to listen to her grumble to me about it comics are really my only legitimate avenue of deception. Hey, I already feel guilty about buying Spider-Man comics, I don’t need her adding to my own self-imposed lecture.
Now sure, I found the whole Brand New Day storyline interesting at first, as writing out Mary Jane was the kind of huge shakeup that might recover the comic from the truly terrible Civil War storylines I had previously suffered through. But the whole concept has quickly stagnated, resulting in what now appears as nothing more then a blatant attempt at erasing everything J Michael Straczynski had written over the length of his tenure.
Now I know JMS wasn’t exactly popular with the Marvel fanboys. I mean really, attempting to add more depth to a character that was over 40 years old was simply unacceptable. Marvel and its fans simply would rather have numerous Spider-Man books that follow a basic plot by numbers arc rather then suffer through something that might actually result in a new experience for both the character and the reader.
Well my little sister’s wedding went off with nary a hitch resulting in a pretty positive family get together for all involved. My father somehow managed to stay controlled throughout the proceedings, which considering his was giving away his baby girl is quite the feat. Sure he lied during his toast about not crying during the wedding ceremony, this was in an effort to squash the rather large pool circulating about taking bets on just how quickly he would cry, but other then that small misstep he was shockingly composed the entire weekend.
During the reception Meghan and Jake (the newlyweds) had a nice change of pace by eliminating the tired cliché of clinking glasses to have them kiss. Instead, they asked for the guests to tell a story about either or both of them, and while I chose not to tell a story at that time, I thought it might be fitting to tell a story about Meghan during this review. Trust me, it somehow ties together with The Mirror Crack’d. (more…)
Jeffrey Goodman’s 2008 film The Last Lullaby is a subtle and riveting tale of betrayal and revenge. Jack Price, a retired hitman, is drawn into a web of deceit when he stumbles upon a kidnap victim at a run-down house in the woods. As a consequence of his actions he appears on the radar of Martin Lennox — a brutal and aloof millionaire in a jam. Drawn out of retirement by Lennox, Price is put on the trail of the beautiful Sarah, but he soon finds there is more to his quarry than first meets the eye. Of course, things turn out to be not at all what they seem, and Price finds himself in hot water with a number of different players in this suspenseful drama. 
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