That’s right, this week you get a double dose of podcasts from us here at Where the Long Tail Ends. James and I have been mentioning for sometime that we wanted to watch and review the 70’s throwback horror film The House of the Devil, but do to our busy schedules we never had the chance to get together. But finally, finally, we were able to get enough free time to sit down and have an in depth and spoiler filled discussion about this interesting film.
Also, big thanks to Craig Varian of 400 Lonely Things (whom I interviewed at this year’s Flyway Film Festival) who was nice enough to give me a copy of his latest album Tonight of the Living Dead, an album composed entirely from the soundtrack to the the landmark horror film Night of the Living Dead. And since The House of the Devil uses an interesting technique involving clips of Night of the Living Dead to help show the passage of time in the film, it seemed only fitting to use one of the songs from Tonight of the Living Dead to close out the show. I can’t speak highly enough about the album, so be sure to check out the 400 Lonely Things website and get yourself a copy of it for yourself.
Some quick backstory before the interview, Craig and his recording partner Phil Harrell were roommates during the Flyway Film Festival with Film Junk’s Jay Cheel. We ended up having dinner together on Friday night before the screenings of the opening night films. So it should come as no surprise that the four of us spent the dinner talking about horror films. After that evening, I knew I wanted to get an interview with Craig so he could talk about his rather fascinating concept album Tonight of the Living Dead.
Using only a public domain copy of the film Night of the Living Dead that he downloaded from Archive.org he remixed the score of the film into a wholly new album. Then, he collaborated with Phil to do the same with the visuals of the film. What’s fascinating is that Craig and Phil did this entirely online. Even more amazing? That they had never met in person until they both attended the Flyway Film Festival.
The Parkway Theatre has assembled one heck of a great horror marathon for the Halloween weekend that they are calling Days of the Dead. Starting at 5:30 on Friday October 30th and running through Sunday evening The Parkway will be screening numerous horror films and other oddities for those of us who are into that sort of thing. As if that isn’t enough, each screening will have a corresponding drink/food special at the neighboring Pepito’s restaurant or at The Parkway’s concession stand. And if that isn’t enough, the entire marathon costs a mere $10. That’s right, a single ticket will get you into each and every film being shown during the entire weekend. One important note, starting at 7pm you must be 21 to attend any of the screenings due to the allowance of alcohol in the theatre.
If you haven’t made it out to The Parkway yet, this is as good a time as any to make the trip to this fantastic south Minneapolis movie theatre.
Full Schedule (drink/food specials)
Friday, Oct. 30th.
5:30 Frightmare ($1.00 off any size popcorn)
7:15 Blood Suckers (two for one beers and half price burritos)
9:00 Blood Thirst (two for one beers and half price nachos)
10:30 Blood Orgy of the She Devils (two for one beers and half price nachos)
I’ve been a bit behind in listing all the various events that have been playing around town the past few weeks, and in an effort to give me less work to do I’m just going to throw several of the upcoming film events into one single post. If this format works I might do it on a regular basis, or maybe I won’t. It’s my site, I’ll be as fickle as I want.
Uptown Midnight Movies
In a slight twist The Uptown is going to start showing midnight movies on Friday and Saturday, and it also looks like The Rocky Horror Picture Show will be returning to the Uptown. From what little I know they will be showing it once a month, complete with all the accoutremants that are to be expected with a live Rocky Horror screening.
The US debut of the anime film Eureka Seven is having a one night only screening on Thursday, September 4th. It will be simultaneously screening at several sites in the Twin Cities, and besides the film they will be showing some interviews and behind the scenes footage. Tickets are now on sale at the following theatres:
Eagan 16
AMC Eden Prairie 18
AMC Arbor Lakes Megastar 16
Kerasotes Block E 15
Brooklyn Center 20
Oakdale Cinema
AMC Rosedale 14
Now See Hear film series
The Oak Street Cinema starts up its new monthly film series on September 2nd. The goal of the series is to focus on underground, experimental and obscure cinema and will take place on the first Wednesday of every month. For the inaugural event The Ex-Lovers will be on hand to provide for a pre-show music set, and then the evening will focus on New York filmmaker City Harvest Black. Tickets are just $8.
Autumn Music & Movies
Presented by Vita.mn, Autumn Music & Movies will be held at the Lake Harriet Bandshell. All shows are free. Music will start at 5:30 pm and the films will start at dusk.
Thanks to Take Up Productions, this fall The Heights Theatre will be hosting a series devoted to the films of Audrey Hepburn. All screenings start at 7:30 and will be $8. Or you may purchase five admissions for $25.
Warning! The follow editorial does contain spoilers. Proceed with caution!
Being born in 1976 I have missed most, if not all, of what I would consider the major tide changes in horror film making here in the United States. The two closest to my heart, and in my opinion the two most important films, being Night of the Living Dead and The Texas Chainsaw Massacre. Some might say that I was able to witness a similar precedent with The Blair Witch Project, which is a fair point to make. But I think that over the course of time since The Blair Witch Project was released has proven the film to be far more influential in the marketing of films, and specifically the rise of viral marketing, then it has influenced the horror genre.
But while The Blair Witch Project certainly was influential, Night of the Living Dead and The Texas Chainsaw Massacre were revolutionary by comparison. Both were low budget shock fests that relied far more on mood and atmosphere to set the table for the scares they were about to serve the audience then most of the other low budget fare of their time. Night of the Living Dead was serious whereas other horror films of the day were campy. And The Texas Chainsaw Massacre, despite its reputation, isn’t bathing in gore as many of its contemporaries were, but rather is a subtle and subdued fright fest. Neither are particularly scary by today’s standards and styles, with The Texas Chainsaw Massacre relying on an general level of creepiness rarely matched in any other film, and Night of the Living Dead almost suffocating the viewer with tension. And while these two might not be the best horror films ever made, particularly in the case of Night of the Living Dead where most people, myself included, view its sequel Dawn of the Dead to be the superior film, but these two films introduced audiences to new concepts and styles in horror, with The Texas Chainsaw Massacre masterfully manipulating audiences with its “based on actual events” premise. As much as I would like to discuss The Texas Chainsaw Massacre, the lack of zombies in the film make it a bit difficult to directly correlate to the film that made me want to write this piece in the first place. But Night of the Living Dead on the other hand, brought about a whole new and terrifying meaning to the word zombie, which is quite relevant to what I wish to discuss.
Before the walking, brain-eating living dead zombies that flood current pop culture ever existed, the zombie was a vastly different monster. The concept of the zombie originated in the Caribbean where the belief is held that a certain kind of puffer fish is poisonous enough to cause people to slip into a death like coma for several days and the inevitable result of this being that people are often buried alive. It is believed that this technique had been co-opted by various criminal elements, and through their employment of Voodoo sorcerer’s (called bokors), that they can control these beings once they are revived from their horrific slumber. The region’s strong religious beliefs have led to the notion that anyone this happens to is at the mercy of the bokor that revives them. This practice was of course showcased in the fantastic film The Serpent and the Rainbow as well as the totally unappreciated, yet equally fantastic, Weekend at Bernie’s II. And while these films are now modern day exceptions to the norm, up until the release of Night of the Living Dead the basic premise of the zombie was someone who was powerless to resist the mind control of another person. But then Night of the Living Dead changed everything.
Since the release of Night of the Living Dead and its revolutionary seminal take on zombies, this has become a relatively stale sub-genre. There are still plenty of good zombie films being made, but there have been few innovations on the zombie concept in the decades since. Fast moving zombies, considered revolutionary by the uneducated when they appeared in Zach Snyder’s remake of Dawn of the Dead, had already been implemented in 1985’s Return of the Living Dead. The idea of worms or parasites controlling a host body, used most recently in the film Slither, was used earlier in the 1987 film Night of the Creeps, and even then it was clearly an homage to the iconic 1957 horror film Invasion of the Body Snatchers. 28 Days Later showed perhaps the most innovation of this group by changing from living dead zombies to a viral hate plague, but even it relied on a blood born pathogen for transmission and used what would soon become the cinematic standard of using fast moving ghouls. Even the Spanish horror film [Rec] showed further innovation by sequestering the victims in the same building as the zombies rather then have them hiding in a building with the menace outside. [Rec]2 looks to increase the claustrophobia even more by using first-person camera angles to draw the viewer directly into the film. All of these are welcomed additions to the sub-genre, and when used well can make for a unique and enjoyable viewing experience, but by no means has the sub-genre done much more then implement minor tweaks on a premise that has existed relatively undisturbed for fifty years. That is, until Pontypool came along and changed everything.
That’s right, this week you get a double dose of podcasts from us here at Where the Long Tail Ends. James and I have been mentioning for sometime that we wanted to watch and review the 70’s throwback horror film The House of the Devil, but do to our busy schedules we never had the chance to get together. But finally, finally, we were able to get enough free time to sit down and have an in depth and spoiler filled discussion about this interesting film. 
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