First off, I’d like to apologize for getting so literary with this column. I always assume Matt breaks down in tears whenever sees one of my posts. I do have reviews of Federico Fellini’s La Strada, John Carpenter’s Prince of Darkness, and Jonathan Glazer’s Sexy Beast (which might just have one of the greatest and most compact scripts in cinema history) in line; however, they are not finished. I also want to talk about the amazing pop cultural pastiche that is The Venture Bros. sometime down the road as well. I was in the process of working on a two part piece about liberature (no, I spelled it right) and how video games can provide hints to literature’s ability to remain valid in the 21st century, when I decided it would be best to do something a little more…light. Don’t worry though, the literary torture will resume next week.
In the meantime, since I’ve been living in Poland for five years this month, I thought it might be fun to make some general observations about Polish pop culture from an American’s perspective. (more…)
Tags: 39 I pól., Agnieszka Holland, Ally McBeal, American Idol, Andrzej Wajda, Another Day of Life, Big Brother, Christian A. Dumais, COPS, Copying Beethoven, Counting Nuns, Desperate Housewives, dubbing, Europa Europa, Federico Fellini, GUD, Hellboy 2, Heroes, Hunter S Thompson, Joanna Kos, John Carpenter, Jonathan Glazer, Katyn, Kryminalni, Krzysztof Kieslowski, Krzysztof Krauze, Kuba Wojewodzki, La Strada, M jak milosc, Mad Dogs, Magda M., Na Wspólnej, Oscar, Plac Zbawiciela, Poland, Prince of Darkness, Prison Break, Ryszard Kapu?ci?ski, Saviour Square, Sexy Beast, Szymon Majewski, Taniec z gwiazdami, The Blair Witch Project, The Dark Knight, The Emperor, The Host, The Venture Bros., The Wire, Theo Angelopoulos, Too Soon, Twarza w twarz, W11, World Idol




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