As the latest Twilight fan-fic opens nationwide, it seems only fitting that I finally get around to writing something about a South Korean vampire film I watched a few weeks ago at The Uptown Theatre. Now most people know director Park Chan-wook for his Vengeance trilogy (Sympathy for Mr Vengeance, Oldboy and Lady Vengeance) or possibly for his segment from the horror film Three Extremes making him one of the better known foreign language film makers in the US. So when I heard he’d be making a vampire film, I was excited at the possibilities, but I got something I never expected.

Thirst follows the story of a priest who undergoes an experimental treatment, during the course of which a blood transfusion transforms him into a vampire. Soon he discovers that if he doesn’t feed, that his disease will return, thus he must soon abandon his morality in order to survive. But that is scarcely his furthest fall.

You see, our priest has a secret, he’s in love with his friend’s wife. And his hunger isn’t simply for blood, but for other things just as carnal. Thus, our intrepid hero must slowly abandon his faith in order to satiate his growing desires. And that’s when Thirst truly blossoms into a modern masterpiece of film making.

While Thirst is a morality play to be sure, and it is full of horror elements, at its heart it is a romance, though a very twisted and dysfunctional one to be sure. As our priest falls deeper in love with the woman of his desires, he makes a rather foolish step that propels the two of them into an unending struggle for dominance of their lives, their relationship and of their hunger.

Following in the footsteps of last year’s outstanding vampire film Let the Right One In, Thirst creates complex and realistic characters that are thrust into worlds they can scarcely imagine let alone control, try as they might. These are people with faults and flaws, and simply craving the taste of blood won’t change that, but it just might amplify their flaws. Thirst simply isn’t just the best vampire movie of the year, its one of the year’s best movies, period.