One of the real treats of this site is trying to find obscure and weird foreign films to watch. I’ve been watching movies long enough that finding obscure American and English language films is a relatively easy proposition, and on the Internet it has become a bit of a cottage industry unto itself. But finding obscure foreign films? Therein lies a challenge.

Now there is a catch to that as well. If someone wants to know about foreign films soon to be sent over the pond, all one needs to do is read Twitch on a daily basis to find the most up to date films and your work is done. Sure they lean a little heavy to genre films, but nobody covers new foreign releases better then Twitch, and it really isn’t even close.

But I didn’t start Where the Long Tail Ends to compete with Twitch. Myself or anyone else would be a fool to try. Rather, I wanted to find films that were bizarre enough that they never much registered with the majority of film goers when they were initially released. There is a wealth of great films out there just waiting to be found, and while I may not have enjoyed Tierische Liebe or Lunacy all that much, I’m quite glad that I watched them. Of course, then there is Schramm.

I have known about Schramm for about two years. As far as German horror goes it is rather infamous for how disturbing it is which, considering the notoriety of German underground cinema, is rather impressive. Schramm was one of a handful of films that were the initial inspiration for me to start this site. Films that caught my eye but I was reluctant to take a chance on. Schramm is not particularly hard to track down, but until recently wasn’t easy to find without buying a brand new copy either. It would take effort, and considering the pay off meant that one would most likely be revolted and disturbed out of their skull, meant that I wouldn’t be putting much effort into finding Schramm any time soon.

So, of course, it found me.

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Last week was a bit crazy. Like seemingly most of Netflix’s subscribers, my shipments were interrupted for several days. Unlike most subscriber’s my movies were delayed for an entire week, which lead me to a slight problem, in that I had no way of watching The Devil’s Rain. Thus putting me in a bit of a bind with what to write this week. Luckily here in Minneapolis there is an outstanding video store that would come to my aid, a video store by the name of Cinema Revolution.

Now Cinema Revolution is not your average ordinary video rental store. You won’t find any video games, or used DVD’s for sale, or even candy and soda carefully distributed near the counter to spur impulse buys. No, Cinema Revolution simply has movies to rent, and what great movies they are. Dedicated to carrying only foreign and independent films, Cinema Revolution is a cinephile’s dream store. Organized by country with subcategories for directors, Cinema Revolution is designed for those who both know and love film and I was confident I would find a suitable replacement to watch and review for Monday’s column.

Then I went and joined Andrew and Kurt from Row Three on their podcast Monday night.

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Due to a system wide Netflix issue our regularly scheduled program, The Devil’s Rain, will be delayed until next week. In its place I will review an obscure 1995 Austrian documentary entitled Animal Love. A trailer has never been made for the film, so instead I will just post a still from the film to give you and idea of what I was forced to experience for your entertainment. Please be advised that no animals were hurt during the making of this movie, although I’m pretty sure I was during the watching of this movie. Also the still is NSFW.

I would also like to state that I apologize  in advance for this.

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