Kurosawa, In Order #12 – The Idiot

THE IDIOT (1951) Akira Kurosawa was a Shakespeare fan and a Dostoevsky fanboy. The former is evident from his free adaptations of Macbeth and King Lear  that are massively cinematic and complete. Kurosawa had a different relationship with Dostoevsky. He was reluctant to change or leave out anything, and the result is an incomplete movie […]

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