Kurosawa In Order

Kurosawa, In Order #19 – The Bad Sleep Well

THE BAD SLEEP WELL (1960) Kurosawa had reached a point where he had been given the opportunity to form his own production company. This development carried with it enormous responsibility, particularly financial, but Kurosawa didn’t want to make a squarely commercial film right out of the gate.  He wanted to make something of social significance, […]

Kurosawa, In Order #19 – The Bad Sleep Well Read More »

Kurosawa, In Order #18 – The Hidden Fortress

THE HIDDEN FORTRESS (1958) Kurosawa had signed a three picture deal with Toho Studios and Throne of Blood and The Lower Depths were box office disappointments, so for his third movie Kurosawa turned to more commercial grounds, a big, sweeping samurai film. But The Hidden Fortress bears little similarity to Seven Samurai, and even less

Kurosawa, In Order #18 – The Hidden Fortress Read More »

Kurosawa, In Order #16 – Throne of Blood

THRONE OF BLOOD (1957) Akira Kurosawa conceived of updating Shakespeare’s Macbeth to Japan around the same time that he was making Rashomon. Kurosawa had been a fan of Shakespeare and Macbeth was his favorite play. Kurosawa was quoted as saying “I’ve always thought that the Japanes jidai (period) film is historically uninformed. Also it never

Kurosawa, In Order #16 – Throne of Blood Read More »

Kurosawa, In Order #15 – I Live in Fear

I LIVE IN FEAR (1955) In March 1954, the Japanese fishing boat Daigo Fukuryu Maru (Lucky Dragon No. 5) was irradiated by fallout from American H-bomb tests on Bikini Atoll. The whole crew developed radiation sickness, radioactive rains fell on Japan, and the Pacific tuna harvest was contaminated reigniting Japanese fears of atomic devastation in

Kurosawa, In Order #15 – I Live in Fear Read More »

Kurosawa, In Order #14 – Seven Samurai

SEVEN SAMURAI (1954) After the international successes of Rashomon and Ikiru, Kurosawa had an enormous amount of clout and turned to a historical epic for his next work. In a line that was characterized as arrogant, Kurosawa said “jidai-geki (the samurai genre) faces a dead-end, there are no talented jidai-geki producers”. Well, it’s not arrogance

Kurosawa, In Order #14 – Seven Samurai Read More »